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Mad Crazy Busy

March 10th, 2010
Me if I don't get my arse in gear.

Me if I don't get my arse in gear.

Mad, crazy busy at the moment - well, read that as mad, crazy busy plus hopelessly disorganised. Anyhoo, I’ve decided to dedicate today to the new and much neglected novel. So there! All the other stuff will just have to wait until tomorrow.

BUT, just to let you know what’s happening:

I got the US/UK cover art for The Rebel Prince. Suffice it to say I’m still drooling, but it would be churlish to waste the reveal on such a slap dash post as this. SO I’m going to write a wee article for the Orbit blog detailing why I love my artist and graphic designer so much. Should have that up tomorrow; there will be pictures.

Speaking of Orbit, my lovely ed has asked if I’d like to do an original sketch of Wynter as a give away to celebrate the April launch of The Poison Throne. To which I answered ‘duuuhhhhh. Would I ever!’ I’m going to draw it in the style I like most ( the more mature style I reserve for drawings I do to amuse myself) A bit like that I used for  Razi and Embla, Ashkr and Sólfarewell, or even Wyn and Christopher. Will get cracking on that this weekend - we might even do a sketch of Christopher for book two. What would you think of twin sketches of Razi and Alberon for book three? Exciting!

ARGH. Just remembered I need get my lesson plans sorted for next week’s fantasy writing course at the Irish Writer’s Centre. It’ll all be fairly informal, but informality takes a lot of preparation, otherwise time just floats away on airy-fairy chin wagging and no-one learns a thing. Just to remind you, the course will run from 10.30 to 4.30 Saturday and Sunday 20th and 21st March and places must be booked in advance (there are only two left apparently.)

ENOUGH. I must get back to work. This poor novel will think I’ve disowned it.

I heart graphic design

March 8th, 2010

I love this groovy little video. It shows the many steps in the designing and making of one of Orbit’s brilliant book covers ( in this case Gail Carrager’s Blameless)

Translation Article in Orbit (hyuk hyuk)

March 5th, 2010

MAJOR shout out to Dubreys on Grafton Street and to the very interesting and lively young folks I met at today’s reading. You rocked, lads ( and lass) I loved talking with ye.

Also, I wrote a wee article for Orbit on the importance of working closely with your translator. It’s up on the Orbit blog if you fancy having a look at it.

extract from article.

One of the most important things I took home from this conference, was the understanding that translations simply cannot be done without communication between author and translator. It shocked me to discover that this communication often just doesn’t happen. READ MORE HERE

translators

Shaun Tan only gets more adoreable

March 3rd, 2010
One of my fav scenes from Tales from Outer Suburbia

One of my fav scenes from Tales from Outer Suburbia

Last week the amazing Shaun Tan won the Premier’s Award and the Children’s Literature Award at Adelaide Writers’ Week. Lucky for us, Read Alert posted a transcript of his lovely and funny acceptance speech. I’m a huge fan of Shaun’s, it’s fantastic to see his work honoured in this way.

(Many thanks to my beloved Alien Onions for bringing this to my attention.)

March Events

March 1st, 2010

I’m concentrating hard on the new book these days, but still I have some pleasant Extra-curricular things lined up for March. I’m very much looking forward to these - it’s nice to have an excuse to lift the eyes from the computer screen and step out into the sunshine once and a while!

Irish edition The Crowded Shadows.

Irish edition The Crowded Shadows.

Friday March 5th, I’ll be in Dublin (Dubrey on Grafton Street to be exact) reading from The Crowded Shadows. If you have some spare time on Friday morning come on down and say hello. The reading starts at 11. ( I know I’m always saying it - but just so you know. The readings really aren’t suitable for the very young. I can’t stress that enough!)

March 20th & 21st, I’ll be at the Irish Writers’ Centre giving a two day course in fantasy writing. I’ll be concentrating mostly on technique. It will be a very very practical course. Not so much about ‘voice’ and ’style’ etc, but more about communication with your reader, world and character building, and some practical advice on prepping your work for submission to agents and publishers. The course will run from 10.30 to 4.30 Saturday and Sunday and places must be booked in advance.

From March 30th I’ve been invited to guest blog at the always lively borders babelclash. God knows what topic the borders lads will throw at myself and fellow writer Glenda Larke, but whatever it is, it’s bound to be fun. I’ll let you know when we’r chatting, then you can come over and add your tuppence worth to the mix.

That’s it for the updates so far, back to work with me now!

Yellow Roses and Tea

February 23rd, 2010

I’ve been merrily filing all my Moorehawke editorial notes and e-mails into my brand new folders ( I prefer to do most of my editorial

An anachronism by any other name.

An anachronism by any other name.

communications via e-mail. I think it’s a much clearer way of expressing oneself and it’s easier to keep track of things. So I end up with a sea of notes at the end of each book.)

It was an odd treat to find this particular note at the top of the pile marked ‘Notes to Editor on reading Poison Throne Galley’. Odd because I’d only just mentioned it in a conversation on Goodreads, where a reviewer called The Moorehawke Trilogy an ‘historical’ novel. This phrase made my stomach do a queasy flip, because, although I set Morehawke in a recognisable Europe and tried to keep the technology as accurate as possible for the 1500’s, I took many many liberties with history and it’s in no way an historical novel. I think my ed was absolutely right not to put this note into the novel, anyone read Moorehawke would be sensible enough to understand that this is fantasy - but still and all, I like where my head was at with this…

-0-

14th July 2008

Hi (editor)

Here is the note I mentioned earlier (when (agent) and I were discussing galley-slaves, plays and recorders :0D) I would like, if possible, for it to be in the back of the book where the Merron translations will be? Do you think that would be ok? Do you think I should mention the spit-boy in this?

(personal note to agent removed)

all the best

Celine

Author’s Note

Although The Poison Throne is set in a fantasy Europe of the late 1400’s early 1500’s, I feel duty bound to point out some small things, least I lead you astray.

It’s very likely that the people of Jonathon’s kingdom would have had access to coffee, as by 1500 coffee shops were quite commen in Turkey and parts of the Arabic world. Tea, however, is another thing altogether, and though I have the people of court drinking tea, it’s a stretch to assume that even a people as integrated as the Southlanders would yet have encountered the magnificent beverage as we know it today.

As for the lovely yellow roses that Lorcan presents Wyn during their special breakfast.  They are completely impossible, I’m afraid. Such roses would not have existed until well into the 1700’s and even then, not in any form we would recognise.

I hope you forgive me these shameless flights of fancy.

-0-

I didn’t mention it in this note, and had no intentions of, bt I suppose it’s worth noting now that Razi’s understanding and use of tinture of opium ( laudanum) would have been quite unusual in 1500. But then Razi is that kind of cutting edge guy - his use of ‘retractors’ and understanding of ’shock’ in the next book just goes to show it :)

Right, I’m just on the last legs of my tidy-up before getting back to the WIP ( still surrounded by mountains of torn up cardboard boxes which I must get rid of before settling down to work.) Need to get my butt in gear here!

Alberon!

February 22nd, 2010

It’s been a totally unproductive day, writing wise. Not a tap done to the new book. Spent the whole time organising my new shelves and now must dash to hospital to see my beloved man. But behold what wonders did arrive for my happiness! It’s the O’Brien Press cover for The Rebel Prince! I am loving this depiction of Alberon - he’s so like I imagined that it is spooky! Look at him! All hard-eyed and Shakespearian - plotting and planning and stirring up trouble. You go Albi!

Huge thanks to the OBP design dept for all their hard work. As usual lads, you rock!

The Rebel Prince: Book Three Moorehawke Trilogy

The Rebel Prince: Book Three Moorehawke Trilogy

Shhhhhhhh

February 21st, 2010

I’ve snuggled back down into the leaba for a while. I have a book ( Anne Featherstone’s wonderful ‘Walking In Pimlico’) a cup of tea and some toast. I can see down into the valley from my window, and the world is once again secreted under snow. A dog’s bark travels for miles - a lonely sound. The radiator is sighing gently - a comforting sound. My children are asleep. I miss my husband, who is in the hospital; I want him to be here warm and cosy in the bed with me.

The bedroom is scented with new wood. The scent has drifted in from my office where my new shelves are half assembled. I will finish that job today, and hang the new doors, and tomorrow I will sit down at my new desk and settle down to my new novel.

I anticipate the next book with restless impatience (and with fear -  always with fear.) But for now there is only this warm room; this still valley filled with snow; a hollow by my side which hopefully will be not be empty for too much longer.

Starred Review in PW!

February 15th, 2010

So utterly delighted to have received a starred review from Publishers weekly! Can hardly sit still long enough to type this!

I’M SO HAPPY!

The Poison Throne Celine KiernanOrbit, $14.99 paper (480p) ISBN 978-0-316-07706-4

Atmospheric, complex, and intense, Kiernan’s debut fantasy, set in a sort of alternate 15th-century Europe, mixes vengeful ghosts and talking cats into political intrigue. Fifteen-year-old Wynter Moorehawke’s return to court after five years away should be joyous, but she fears for her dearest friends, the children of insane, tyrannical King Jonathan. Crown prince Alberon is nowhere to be found, and bastard son Razi is being unwillingly groomed to replace him. The king will go to any lengths to secure his throne, even unlocking the mysteries of a horrible killing device long thought destroyed. Wynter must keep her friends and family alive as she slowly pieces together the king’s secrets. The beginning of what promises to be a powerful trilogy with YA crossover appeal, this epic starts strong and doesn’t falter one iota, ending with a cliffhanger that will leave readers demanding more. (Apr.)

Many thanks to Louisa at ravenbooks for letting me know!!

Letter to Laura

February 15th, 2010

In relation to the previous post, where I drew Laura the chart of Wynter’s clothes. Here is a copy of my short letter which might help to separate the fiction from the fact :0) I hope Laura doesn’t mind my sharing this with you.

-0-

Dear Laura,

Finally I get around to answering your lovely letter. Please do excuse my terrible handwriting and my spelling – I try hard to improve, but I’m afraid my spelling will never be something I’m proud of.

So you asked me about Wynter’s clothes! I figured the best way to answer this question was by drawing you what I had imagined. I hope that’s ok. These clothes are a fantasy version of what 15th/16th century clothes would have really looked like. For poorer folks, the clothes would have been a lot baggier ( usually more like a big gown tied with a belt. They wouldn’t have worn trousers really – more like baggy tights or leggings with shorts over the top ( the shorts were more for the rich folks) and stockings for their feet. Their boots wouldn’t be quite so modern looking either. But like I say, this is a fantasy book.

If you really want to see what clothes would have looked like, you might try doing a google search for images of fifteenth and sixteenth century clothes, or renaissance clothes. This story is set in a fantasy version of the year 1500, so both those searches will find you a good mix of what was around at the time. Try to look at pictures or paintings which were painted at that time, and not pictures of costumes from ‘renaissance faires’ Sometimes the renaissance costumes can be very fanciful (almost as fanciful as my drawings!)

I’ve shown Wyn in her everyday working underwear, but under her mother’s dress she would probably have worn a pair of light linen or silk underdrawers and a light ‘shift’ or underdress ( what we’d call a ‘slip’? A bit like a strappy nightdress? ) and linen or silk socks held up with garter ribbons ( a ribbon which tied tightly around her thigh or just above her knee, holding the stocking-top in place.)

I’m not 100% certain of this, but as far as I know woollen garments wouldn’t so much have been knitted in those days, as woven and then sewed together ( weird huh?) But I drew Wyn with knitted socks, because they look so comfy! In real life her ‘trouser would have come to just below the knee and her socks would probably have been attached to them with buttons and garter straps.

There you have it! I hope this makes sense.

Thanks again for all the lovely e-mails and your letter,

Big hugs

Celine